I hope you’re all staying either cool or dry.
This week, a branch fell on the power line in front of our house, caused a spark, and started a fire. Since we have already been traumatized by the Holiday Farm Fire up here in the McKenzie River Valley, this one was particularly scary as the wind was blowing and it could have been another horrific event.
But the fire happened at the end of work day. Men and women stopped on the way, popped out of their vehicles with shovels, rakes, and fire extinguishers, and kept the fire under control until the fire department arrived. If the flames had traveled up just one fir tree (called torching), it would have been all over.
After the fire was out and we were all in a little shock, we hung out with our neighbors by the side of the road and talked about how lucky we were to live in this beautiful place and with these amazing folks who had averted a catastrophe. I’m grateful every day.
All I have to say is “Who needs to read or watch thrillers?”
Well, obviously I do.
by B. A. Paris; narrated by Olivia Dowd
AVAILABLE NOW IN PRINT AND EBOOK; AUDIBLE VERSION AVAILABLE JULY 13, 2021
A Claustrophobic Tale of Suspense & Secrets
Alice and Leo move into a new home in London that feels perfect as part of a gated community of twelve homes situated in a circle that encloses a small park.
But we all know what happens when something seems perfect.
In this case, Alice discovers a woman was murdered in the house and the woman’s husband, suspected of the murder, committed suicide. Did Leo know about this before he bought the house? And why are the women of the circle acting so squirrely? Alice also discovers the murdered woman’s name is Nina, something that adds to her distress as it is the name of her sister who died in an accident. The suspense builds when one of her neighbors becomes so nasty that Alice is almost shunned and wants to leave. Everyone has secrets and won’t talk about the murder. She’s also warned by an elderly couple to “trust no one.” When a PI shows up on her doorstep, saying he’s investigating the murder, she’s relieved to find someone who will talk about the murder with her. But didn’t the husband kill his wife? The PI says no. The community however is divided. That means the killer is still free. Alice soon suspects everyone of the murder including Leo.
I LOVED the narrator Olivia Dowd. This was a great example of how a narrator can make a slow-starting story fascinating. This novel is a slow burn that keeps you in the head of Alice and shows how terrifying it is for her as Leo is often away for business. I loved the secrecy of the neighbors and how they have so much trouble dealing with the murder being talked about again. The circle was a perfect setting that causes a claustrophobic feel and gives Alice a caged feeling.
Sometimes Alice seems dimwitted and repeatedly says “something was off,” but that’s because she’s not assertive and is surrounding by people who aren’t forthcoming. The suspense is slow to build but I think that’s because the setup takes a while and the story is told by Alice who is confused and terrified as she tries to identify the killer.
And the ending! I thought I knew who the killer was, but how he got away with it was terrific and terrifying. B.A. Paris writes so well that my few issues with the story should not keep people from reading or listening to THE THERAPIST. I highly recommend the audio book.
Thank you to #NetGalley #BAParis and #McMillanAudio for offering this free audiobook for an
B A Paris is the internationally bestselling author of Behind Closed Doors, The Breakdown, Bring Me Back and The Dilemma. Having sold over one million copies in the UK alone, she is a New York Times bestseller as well as Sunday Times bestseller and a number one bestseller on Amazon and iBooks. Her books have been translated into 40 languages. Having lived in France for many years, she and her husband recently moved back to the UK.
Her fifth novel The Therapist is out in April 2021 honest review.
I LOVE COVERS!
Are you like me? Sometimes I look at covers just for the art work. For my Femmes-Noir Thrillers, I had ideas for the covers, but it takes an artist to really bring them to life. Covers are either representational, thematic, or sensory, in that one of the viewer’s senses is triggered.
And, yes, sometimes covers seem to have nothing to do with the novel but are eye-catching.
Here are the U.S. and British cover for THE THERAPIST. Interesting, don’t you think? I wonder what was going on in the head of both cover artists. Which one do you like best and why?
The US cover is dark and representational of the victim. The British cover is sensory where the rose has been snapped off and dies. You can almost smell the dead rose. And red is naturally aligned with blood. Both use similar typography to give cohesiveness to the author’s work.
I decided to look at a few more of the author’s novels in the US (left) and British editions (right). Interesting how the Brits offer much more colorful covers. The typography, however, is similar and echoes the author’s other novels, or brand as the industry likes to call it.
I’m inclined to go for the cover with color.
Do you choose a book for the cover? The cover first draws me to the book, but I read the back jacket, inside flap, and the first chapter before I decide. I’m more speculative about the blurbs from other famous authors as some of the books I’ve read come nowhere near their profuse accolades.
Anyone? What do you look at and do before you buy a book?
Streaming series on Netflix. Three seasons with the final season coming … sometime.
What was wrong with us? When Ozark first came out, Dan and I watched the first two episodes and stopped watching. Maybe it was our mood or the pace of the setup or we found something else to watch. Who knows? We came back to it a month ago and … wham! We were hooked.
IMHO this is one of the best scripted, acted, developed, paced, and filmed streaming series we’ve seen in … probably since THE WIRE. Or the more recently BETTER CALL SAUL. (Yes, we think BCS is better than BREAKING BAD.)
We finally watched the last episode of season 3 and talk about blowing our minds. This series only has one season left (don’t know when that will happen), but I’m glad for that. Some shows run far too long and this one? Well, I honestly don’t know how they could drag it on for more than four seasons.
Wondering what all the hype is about? First of all, it takes place in the Ozarks, a steamy pot of crooked law enforcement, money laundering, class factions, and secrets. Have I mentioned a Mexican drug cartel? And a field of opium? Or how about children who know what their parents do, as in laundering money for the drug cartel?
That’s right. It’s actually a family drama. (Only half kidding.)
For those who have watched all three seasons and are itching for season 4 (14 episodes in two parts), check this out from DIGITAL SPY. Spoiler Alert! If you haven’t watched OZARK, don’t go to this link.
MY REVIEW IN BULLET POINTS
- Laura Linney! She deserves multiple Emmys for her portrayal of Wendy Byrde the matriarch.
- The plot twists can cause neck spasms. The ending of Season 3! Wasn’t expecting that!
- Let’s hear it for the writers! Yes, those underrated people who make or break the series.
- The class warfare. Understandably, the country folk are not inclined to like these city folk coming in and taking over. Who are smarter? I’ve gone from hating Darlene to rooting for her. She’s tough, rough, and takes no prisoners. Phenomenal acting by Lisa Emery.
- Fabulous rolls for women. One of the few programs that have a multitude of strong women.
- A misstep: the silly therapist. Wrong tone for the program. Some may enjoy it for the comic relief, but it took me out of the story.
- Crazy excitement for Season 4. I want to know if this series will be a true neo-noir or not. Wonder what I mean by that? So far, it fits a neo-noir framework, but it all depends on the ending. If the Byrdes go belly up, it’s neo-noir. If they end up in Australia, happy as a clan, nope, not neo-noir. I expect it will be somewhere in the middle.
- Fully fleshed out characters, even minor ones. Bravo to the creators.
- And I love the graphics at the beginning of each episode. The O of Ozark is divided into four sections and each has a symbol that has to do with that episode. We love pausing at the O and trying to figure out what each symbol means before the episode starts. Here, for example, is Episode 1’s graphic O. This one is pretty easy, but they get harder. Click HERE for more OZARK graphics.
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Have a great week!
Valerie J. Brooks
I’m the author of the psychological femme-noir thrillers Revenge in 3 Parts the first in the Angeline Porter Trilogy and Tainted Times 2 the second in the trilogy. I live in the McKenzie River Valley of Oregon with my husband Dan and our Havanese pooch Stevie Nicks.
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